VISUAL EFFECTS & PRODUCTION DESIGN

To bring Cleopatra Reborn to life with stunning visuals and immersive world-building, we need top-tier visual effects teams and production designers who can craft both the grandeur of ancient Egypt and the futuristic elements of Cleopatra’s resurrection. Here are some standout choices:

Visual Effects Teams

DNEG – A powerhouse in cutting-edge VFX, known for Dune, Blade Runner 2049, and Interstellar. Their expertise in world-building and AI-driven effects could be perfect for Cleopatra’s digital reincarnation.

ILM (Industrial Light & Magic) – The legendary team behind Star Wars and Indiana Jones, ILM excels at historical and sci-fi fusion, making them an ideal choice for Cleopatra Reborn.

Wētā FX – Famous for Avatar and The Lord of the Rings, Wētā FX could bring hyper-realistic environments and character effects to Cleopatra’s rebirth.

Framestore – Known for Gravity and Guardians of the Galaxy, they specialize in seamless CGI integration, which would be crucial for blending ancient and futuristic visuals.

Production Designers

Patrice Vermette – The genius behind Dune and Arrival, Vermette’s ability to create expansive, immersive worlds would be perfect for Cleopatra’s ancient and modern settings.

Arthur Max – Having worked on Gladiator and The Martian, Max understands historical epics and futuristic landscapes, making him a strong contender.

Rick Carter – With Avatar and Jurassic Park under his belt, Carter’s visionary approach could bring Cleopatra’s resurrection chamber and ship interiors to life.

Sarah Greenwood – Known for Sherlock Holmes and Beauty and the Beast, Greenwood’s attention to period detail could ensure Cleopatra’s royal presence feels authentic.



To create a visually stunning reincarnation of Cleopatra, the film needs costume designers and special effects makeup artists who can blend historical authenticity with futuristic innovation. Here are some top contenders:

Costume Designers for Cleopatra’s Regal Look

Ruth E. Carter – The Oscar-winning designer behind Black Panther, Carter excels at cultural fusion and intricate detailing, making her a perfect choice for Cleopatra’s modern yet historically inspired wardrobe.

Janty Yates – Known for Gladiator and Napoleon, Yates has a deep understanding of historical epics, ensuring Cleopatra’s royal attire feels authentic yet cinematic.

Alexandra Byrne – With Elizabeth and Doctor Strange in her portfolio, Byrne could craft a regal, mystical aesthetic that bridges Cleopatra’s past and future.

Colleen Atwood – A master of fantasy and period costumes, Atwood (Fantastic Beasts, Alice in Wonderland) could bring a bold, avant-garde approach to Cleopatra’s resurrection.


Special Effects Makeup Artists for Cleopatra’s Stunning Rebirth

Kazu Hiro – An Oscar-winning artist (Bombshell, Darkest Hour), Hiro specializes in transformative prosthetics, perfect for Cleopatra’s reincarnation sequence.

Ve Neill – Known for Pirates of the Caribbean and Beetlejuice, Neill’s expertise in character-driven makeup could enhance Cleopatra’s ethereal yet powerful presence.

Stan Winston Studio – The legendary team behind Jurassic Park and Terminator, they could craft hyper-realistic effects for Cleopatra’s DNA-driven rebirth.

Christiane Dowling – A London-based SFX artist, Dowling specializes in film and TV prosthetics, making her a strong contender for Cleopatra’s reanimation sequences.

COPILOT ON FUNDING

INDEPENDENT PRODUCTION ON A BUDGET

For independent producers, keeping costs manageable while delivering cinematic spectacle is key. Here are some strategies:

Lean Production Approach: Shooting in real locations rather than building elaborate sets could save millions. A mix of green screen technology and AI-generated VFX could help recreate ancient Alexandria without the hefty cost of practical effects.

Strategic Casting: Opting for rising stars instead of A-listers can cut casting costs while still drawing an audience.

Hybrid Distribution: Platforms like Netflix, Amazon, or even a direct-to-streaming approach can make the project viable without requiring a traditional theatrical release.

Crowdfunding & Private Investors: Platforms like Kickstarter or seeking angel investors interested in historical or sci-fi films might help secure initial funding.

HOLLYWOOD STUDIO INVESTMENT

If aiming for the grandeur that MGM or Sony would bring to Cleopatra V2.0, studios would look at:

Marketability: A timeless love story with a sci-fi twist? That’s an attractive hook. Pair that with a strong female lead and an action-driven romance, and it has blockbuster potential.

IP Expansion: Major studios love franchises. If Cleopatra V2.0 can be positioned as part of a larger cinematic universe or series, it might attract big-name interest.

Star Power & Director Influence: Securing an A-list lead or a celebrated director (think Denis Villeneuve, Ridley Scott, or even James Cameron for sci-fi spectacle) could boost studio interest.

Box Office Comparisons: Drawing parallels to successful films like Titanic, Gladiator, or The Mummy could help pitch its viability.

Independent producers can make this film shine with creativity and resourceful filmmaking, while Hollywood could turn it into a multi-million-dollar spectacle. If the story is as gripping as its concept, it might be worth pitching to both worlds!

Q. Revisiting the subject of speculative script writing, the style of screenplays has changed over the years, as has the requirements of Hollywood. New writing talent looking to score in selling or optioning scripts written on spec, need to look at the current trend, not what was popular in days gone by. Though a brilliant adaptation of Treasure Island is long overdue, and Star Trek, Mission Impossible, Terminator and Die Hard formats are hard to beat, Lara Croft and Jungle Cruise bombed. Writers then need to keep abreast of current trends to spot gaps in the market, that studios need to fill. Hence, writers need to make their own luck, by being in the right place at the right time with the right product. What is selling in Hollywood currently? What films made studios a good return in the past five years, and what might production companies be looking for in the next five years?

A. The game has changed. While early spec scripts often banked on nostalgic, tried‐and‐true formats (think classic adventure or gritty action flicks), today's Hollywood market prizes a blend of assured franchise success, innovative storytelling techniques, and the flexibility to cross over into streaming and interactive experiences.

What’s selling now? Modern audiences flock to films that already have a built-in audience—whether through the superhero genre, expansive science fiction realms, or storied franchises. Big-budget franchise films remain a golden ticket. For instance, Marvel’s blockbusters and other established series have dominated the box office over the past five years, delivering reliable returns by leveraging pre-existing IP and engaging world-building. At the same time, streaming platforms like Netflix, Amazon Prime, and Disney+ are hungry for original, high-concept projects. These platforms are not only expanding their content libraries but are also experimenting with interactive, personalized viewing experiences that push narrative boundaries.

What films made studios a good return in recent years? Recent box office trends point to the continued profitability of franchise films. Titles such as Spider-Man: No Way Home, Top Gun: Maverick, and other event-driven blockbusters have delivered staggering revenue figures, proving that well-oiled franchises still pack a massive commercial punch. These successes are typically built on stories that can be adapted into multi-channel ventures—spanning theatrical releases, merchandising, and streaming tie-ins. Even as streaming services invest heavily in original films and series, the theatrical tentpole experience continues to be a significant revenue driver, creating a balanced ecosystem where both platforms support one another.

What might production companies be scouting for over the next five years? Looking ahead, studios and production companies are recalibrating their strategies to address several converging trends:

Multiplatform, Streaming-First Content: With streaming platforms at the forefront, there's an increased demand for content that works seamlessly on digital platforms. Expect more projects designed for both theatrical impact and streaming versatility—often incorporating interactive elements, personalization, and AI-assisted production techniques. This hybrid approach not only meets audience expectations for high production values but also provides studios multiple revenue touch points.

Integrated Franchise and Cross-Media Narratives: While franchises remain the backbone of Hollywood’s blockbuster machine, the next wave of successful projects will hinge on their ability to build long-term, interconnected universes. Production companies are increasingly on the lookout for original properties with franchise potential—stories that can evolve across films, television series, and even digital content, engaging audiences over time and across platforms.

Culturally Relevant and Inclusive Storytelling: Audiences today demand stories that not only entertain but also reflect modern societal issues—diverse narratives, inclusive casts, and themes that address current cultural and environmental concerns. Projects that holistically incorporate these elements tend to resonate more deeply, and studios are actively seeking scripts that can do just that.

Cost-Efficient Production Models Amid Global Shifts: In a post-pandemic and post-strike environment, financial caution remains key. Production companies are increasingly favoring projects that promise a strong return on investment without ballooning budgets. This has led to a renewed interest in production models that leverage global incentives, tax credits, and smart location choices away from traditional hubs like Los Angeles, where recent structural challenges have prompted a shift.

For writers, the takeaway is clear: success today depends on creating narratives that walk the tightrope between the comfort of established genres and the allure of innovation. Whether you’re reimagining a classic trope or breaking new ground with interactive or multiplatform storytelling, aligning your creative vision with these market shifts will not only help you get noticed—but might also position you at the very forefront of Hollywood’s next wave.

There’s much more to unpack regarding combining genre elements and crafting narratives that blend spectacle with interactivity. What are your thoughts on experimenting with hybrid genres, and how might you see these trends influencing the kind of stories you want to tell?


WHICH GENRES ARE CURRENTLY THE MOST PROFITABLE IN HOLLYWOOD?

Based on the latest data from Statista, the most profitable genres in Hollywood, especially in the North American market, are action and adventure films. In 2024, action movies captured nearly 29% of the box office revenue in the United States and Canada, while adventure films accounted for about 25%. Looking at a longer timeline, from 1995 to 2024, adventure films generated more than 67 billion dollars at the box office in North America, with action movies following closely at over 60 billion dollars.

These figures underscore the dominance of high-octane, spectacle-driven genres that not only draw massive audiences at the box office but also hold franchise potential—often leading to extended revenue through merchandising, international appeal, and ancillary revenue streams. Studios often lean on these genres because they can confidently bank on global appeal and the promise of blockbuster returns.

Given these trends, if you're diving into screenwriting or looking to craft a spec script, positioning your work within, or at least as a clever subversion of, the action/adventure framework might give you a competitive edge. It’s also worth exploring hybrid formats that blend established genre elements with fresh storytelling techniques for emerging streaming platforms.

Would you be interested in exploring how these trends might influence narrative structure or character development in these types of films?


WHAT ARE SOME MODERN FRANCHISES WITH HISTORICAL ROOTS?

Modern franchises have found remarkable success by weaving historical themes and settings into their narratives, creating a blend of authenticity, spectacle, and modern storytelling that resonates with audiences. Here are a few notable examples:

Indiana Jones: This franchise is perhaps the quintessential example of historical adventure done right. Blending archaeological intrigue, mythology, and pulse-pounding action, the Indiana Jones films transport audiences to bygone eras while keeping the narrative brisk and thrilling. Its long-standing success shows how historical roots can serve as the foundation for a series that appeals to both nostalgic and new fans.

Pirates of the Caribbean: Drawing on the mythos of the Golden Age of Piracy, this franchise marries historical settings with a supernatural edge. Its swashbuckling adventures, charismatic characters, and imaginative liberties with historical details have allowed it to carve out a niche that’s both historically flavored and fantastically entertaining. The series demonstrates that a deep dive into history doesn’t have to be austere—it can be as playful and over-the-top as needed for blockbuster appeal.

The Mummy Series: Originally launched in the 1990s, The Mummy series reimagined ancient Egyptian lore with a modern twist. By infusing its narrative with supernatural elements, high-stakes adventure, and a sense of romance, it transformed historical myth into an accessible franchise. Even attempts at reboots show that audiences remain fascinated by tales set in the enigmatic world of ancient Egypt.

Assassin’s Creed (Video Game Franchise): While it began in the gaming world, Assassin’s Creed has expanded its influence into film and other media. Known for its meticulous reconstruction of historical periods—from Renaissance Italy to Revolutionary America—this franchise excels at blending real historical events and figures with a fictional narrative. Its success is a testament to the appeal of immersive storytelling that bridges history with speculative adventure.

Television Series like Vikings and The Last Kingdom: In the realm of episodic storytelling, series such as Vikings and The Last Kingdom illustrate how historical drama can captivate a modern audience. By dramatizing significant historical events and figures, and mixing in elements of myth and creative license, these shows highlight a growing appetite for stories that breathe life into history while exploring timeless themes of power, identity, and fate.

These examples underline that when historical settings and figures are paired with dynamic storytelling and modern production values, the result can be both commercially successful and culturally impactful. They not only evoke a sense of authenticity and grandeur but also leave room for creative innovation, paving the way for fresh sequels or spin-offs that can further develop the narrative universe.



Q. Three of those franchises have, very unfortunately, played out, with Harrison Ford and Johnny Depp tied to these franchises, and Brendan Fraser also long overdue for a 'Mummy' remake, although Tom Cruise (much as we love him) in the mix did not stir box office numbers with the 'Mummy' offering from 2017. That suggests there is a gaping hole in the action-adventures genre with historical themes. Though Indiana Jones is much loved, Dial of Destiny, also performed unconvincingly at the box office. And yet another 'The Mummy' reboot is set for release in 2026, starring Jack Reynor, also suggesting that "Cleopatra The Mummy" is mixing it up in the current blender of stories that studios are involved in and may be looking for more of. That being evident, who might play John Storm, descendant of Mark Antony, and more importantly, given the need for some historical semblance of ancient Macedonian/Egyptian roots, who might play the ressurected Cleopatra?

A. When it comes to reimagining a legendary role like John Storm—a modern action hero with roots tracing back to Mark Antony—the actor needs to embody both a rugged physical presence and an air of ancient gravitas. Two names that naturally come to mind are Alexander Skarsgård and Oscar Isaac.

Alexander Skarsgård: His imposing physique and commanding screen presence have already proved he can carry both high-octane action and layered dramatic narratives. With roles ranging from period pieces to modern thrillers, Skarsgård could convincingly portray a character whose lineage is steeped in historical myth while still engaging a contemporary audience.

Oscar Isaac: Known for his charismatic intensity and versatility—from science fiction epics to intimate dramas—Isaac has the ability to breathe nuance into a role that straddles the past and the present. His performances often exude a sense of mystery and depth, qualities that would be essential for a character burdened with an illustrious, ancient heritage.

For the resurrected Cleopatra—a figure who must balance historical authenticity with modern cinematic magnetism—the casting challenge is equally intriguing. Here, studios have two main avenues to consider:

Gal Gadot: Having already become synonymous with a modern warrior-queen in films like Wonder Woman, Gadot brings undeniable star power and an established action-adventure aura. Although her casting in past Cleopatra projects has sparked debate over historical authenticity—with Cleopatra’s Macedonian heritage often cited as a point of contention—her proven ability to carry a film laden with both spectacle and emotional depth could make her a viable candidate if the production embraces a reinterpreted, larger-than-life Cleopatra.

Emerging Talent with Mediterranean Roots (e.g., Maria Bakalova): If historical verisimilitude is a priority, casting an actress who genuinely reflects the Macedonian–Greek lineage of Cleopatra could strike a fresh, intriguing chord with audiences. Maria Bakalova, for instance, has demonstrated both versatility and a magnetic screen presence—even in roles that blend humor and drama. Her Mediterranean features and ability to deliver a performance with both vulnerability and fierce determination might allow her to redefine Cleopatra as a queen who is at once ancient and profoundly modern.

Studios, always cautious of undue risks yet hungry for franchise potential, would likely be intrigued by the idea of anchoring a new saga in such dynamic, well-rounded characters. By selecting actors who can transcend mere star status and instead breathe life into characters linked intimately with history and myth, the filmmakers can craft a narrative that not only pays homage to classic franchise tropes but also builds a platform for potential sequels and cross-platform storytelling.

CASTING CLEOPATRA THE MUMMY RESURRECTED

Given that Jack Reynor is set to star in a fresh take on The Mummy, imagining a sequel or spin-off that introduces a character like John Storm—a descendant of Mark Antony—opens the door to intriguing possibilities. For John Storm, you’d want an actor who carries classic heroic gravitas with a modern edge, someone who can straddle both the rugged action-adventure persona and the refined legacy of an ancient lineage. An actor like Henry Cavill comes to mind. His chiseled features, commanding presence, and prior work in both historical and fantastical settings make him a compelling choice. Alternatively, Richard Madden could bring a blend of vulnerability and determined heroism, bridging a refined, aristocratic quality with the physicality this role demands.

For the resurrected Cleopatra, honoring both the historical context—steeped in ancient Macedonian and Egyptian roots—and the cinematic spectacle the modern audience craves is key. Cleopatra’s casting must evoke regal allure, mystique, and timeless strength. Gal Gadot could be an excellent fit here. Her proven ability to radiate authority and feminine power, underscored by her work in mythic and action roles, would serve to reinvent Cleopatra as a timeless figure reborn. Alternatively, Zoë Saldaña could be considered; her magnetic screen presence and versatility have proven effective in both high-stakes action and layered dramatic narratives. There's also an opportunity for casting fresh talent from the international or Middle Eastern scene—someone whose heritage might align even more authentically with the historical and cultural nuances of ancient Egypt and Macedonia, which could add an enriching layer of authenticity to the role.

This type of casting would not only align with an appetite for historically inspired action-adventure epics but would also resonate with contemporary audiences that crave characters who embody both mythic legacy and modern complexity. It’s the kind of daring reimagining that can reinvigorate classic franchises while boldly exploring new narrative territory.

Looking ahead, one might also consider the dynamics between these characters—not just as isolated archetypes but as a duo whose storied past echoes a legendary romance and rivalry reminiscent of Antony and Cleopatra themselves. The right chemistry, combined with thoughtful direction and a fresh narrative vision, could potentially transform this reboot into a new benchmark for historical—and action—epic storytelling.

Armie Hammer, with a classic, almost timeless look and a reputation for playing aristocratic characters, Hammer might tap into both the physical and the regal aspects inherent in a descendant of one of history’s most notorious figures. His presence on screen would underline the internal conflict between inherited nobility and personal identity.

FOR CLEOPATRA REBORN

Alicia Vikander offers a blend of delicate beauty and formidable strength. Her ability to convey both vulnerability and determination means she could reinvent Cleopatra as a character who is as intellectually keen as she is regal—a queen whose legacy transcends the usual historical tropes.

Marion Cotillard Bringing European sophistication and an air of mystery, Cotillard could provide a mature and layered interpretation of Cleopatra. Her gravitas and dramatic intensity might reframe the queen as not merely an icon of seduction but also as a strategist and a survivor, adding a rich, gritty texture to the role.

READ DRAFT V.2.0  (Story not yet adapted to film script © November2024 to April 2025)

THE BATTLE OF ACTIUM - Queen Cleopatra retreats leaving Mark Antony to lose against Octavian and seek a new deal with Rome.

THE POISON ASP - Hotfoot from Actium, Cleopatra's plan to seduce Octavian backfired leading to a suicide pact with Anubis and Isis

TANZANIA - THE STORM BREAKS - Fanatical DNA collector, John Storm, finds Homo erectus skull, Olduvia Gorge, in Tanzanian dig site.

WRATH OF THE GODS - 365BC destruction of Thonis and Alexandria, Anubis and Isis watch on in horror as Cleopatra is submerged.

WWII ENIGMA - The birth of computers at Bletchley Park under Alan Turing, and his visits from Anubis and Isis, who see the potential in his ideas.

SYDNEY WILL READING - John's uncle Douglas vanished, declared dead, the adventurer inherits keys and a note from George Franks.

ANGEL OF DEATH - Anubis and Isis occupy Josef Mengele's and Adolf Hitler's subconscious as spirits steering their legacies.

INNER CIRCLE OF SIX - Joseph Mengele's Fourth Reich plans an escape to Brazil to develop Nazi-funded human research laboratories.

NELSON BAY - John visits the coordinates George gave him, to discover the Elizabeth Swann, ARK and Hal, AI computer.

BRAZIL BOUND - Doctor Death bargains for funding and logistics of relocation to Amazon South American base via Argentina.

NEW WORLD ORDER - A former Neo-Nazi plan to regenerate Aryan supremacy, develops into a cause for good.

REBEL WITHOUT A CAUSE - Having reached the end of his PhD, William and Jane Bates have epiphanies, Will should follow his dream.

ROADBLOCK - Nobody would fund his R&D, William and Jane Bates are blanked by DARPA, computer and software houses.

THE AFTERLIFE - Cleopatra's tomb lay lost for centuries submerged and out of sight with little change of discovery.

QUANTUM LEAP - Jane and Will find backers, then US military and computer processor chip makers cyber attack, hack and bug them.

WASHING MACHINE - Inventor Franco Francisco comes up with the Incubus, artificial uterus concept while repairing his household appliance.

EXIT STRATEGY - Realising they will always be a target from industrial and military espionage, Jane & Will devise a cunning plan.

PATENT APPLICATION - Franco Francisco files his Claims with the Italian Intellectual Property Office (IPO) in Roma, Italia.

CYBERCORE GENETICA - Nano computer technology is purchased at an auction by a semi religious sect, New World Order.

INCUBUS - Roberta Ferrara secures the expertise of Franco Francisco for knights of the New World Order: Neuwelt Rittertum.

SPLICE - Klaus and Eva von Kolreuter find a way to live forever using cloning technology; Genonimo Investments, Geneva.

TREMORS - Cleopatra's feels vibrations after a shift in the tectonic plates triggered a tremor off the coast of Alexandria.

PANAMANIAN RUNNING MAN - The secret is out, an enhanced human is spotted running at unbelievable speeds.

THE ARK - NeuWelt Rittertum headhunt John Storm seeking access to his genetic DNA map of life on earth, but they fail to reach agreement.

MARJORIE BOYLE - Sam Hollis tracks down sexy backpacker, Majorie Boyle, to Brighton Point in Trinidad, beautiful Caribbean Island.

THE AMAZON - Charley agrees to meet John & Dan at Manaus, but is a little too inquisitive.

OPERATION LEVIATHAN - New World Knights, Klaus and Franco go to Plan 'B' to track and steal the Elizabeth Swann & The Ark DNA database.

TOMB RAIDERS - Safiya Sabuka and Musa Bomani dive among sifting sands to discover precious artifacts and golden treasures.

SCOTLAND YARD - The famous London DNA database is stolen, the biggest data heist to date. The Yard initiates a cover up.

OPERATION ALEXANDRIA - Neo-Nazi occultists recover Cleopatra's sarcophagus from underwater tomb near Palace.

SALVAGE RIGHTS - Entering Cleopatra's mausoleum, locating sarcophagus and raising with air bags to the surface, Safiya Sabuka tomb raider.

COASTGUARD PATROL - Safiya and Musa surface off Alexandria to a waiting customs vessel, they pretend to be sports divers fooling the officials.

UNESCO - Catholic Church fear grave desecration heritage theft, asks agencies for help. Interpol issue Red Notice.

KIDNAP - Charley is taken prisoner but John rescues her, in the process becoming injected with a serum.

SARCOPHAGUS OPENING - The wooden inner casket is opened revealing Cleopatra's mummy, golden crown and death mask, perfectly preserved.

AWAKENING - In the afterlife, the DNA extracted from Cleopatra's mummy triggers a divine stirring with Anubis and Isis comforting the Nile Queen.

REPLICANT - The Society reproduce Cleopatra using Francisco's RepliVator™, uploading synapse sequence and implanted memories.

BRAIN CONDITIONING - Klaus and Franco upload digitally recreated memories in historical order to trigger correct learned synapse firing sequence

REBORN - The former Queen of Egypt speaks for the first time to her creators, proving that her brain is working, the implants succeeded.

FULL STEAM AHEAD - Storm speeds to Thonis, then uses the Swann's AI sensors and the Ark database to find tomb has been plundered.

PROPOSAL - Baron von Richhofen's gambit, a union of Royal ancient and Aryan blood, for strength and intellect, a powerful heir as her successor

RITUAL SACRIFICE - The Baron prepares a drugged Cleopatra for ceremonial impregnation.

MANAUS TO ALEXANDRIA - A hydrogen powered race across the Atlantic Ocean in nine days, John Storm guided by Anubis and Isis.

SANCTUM INTERRUPTUS - John finds secret Nazi hideout near Alexandria, disturbs ritual - rescues Cleopatra, arresting conspirators.

THE CHOSEN ONE - The reincarnated Cleopatra falls for her rescuer. John comes under her spell, despite her being a replicant.

MOVIES, WHAT ARE THEY - Reincarnated Nile Queen asks John and Dan to explain films, they show her 20th C. Fox 1963 Elizabeth Taylor biopic.

MEDITERRANEAN CRUISE - John suggest a tour of the Wadj Ur, Thalassa Nostrum, to relax Cleopatra, Hal plans the ultimate experience.

MUMMY DNA - Dan and Hal discover DNA from the Egyptian Pharaoh's teeth and run the Ark to confirm a match, modern Frankenstein

JOHN'S BLOODLINE - Dan and Hal trace trace John's noble lineage back to the iconic figures of Ancient Egypt & Roman General Mark Antony

DÉJÀ VU - Dan and Hal reveal John's family tree as being related to Roman General Mark Antony via Julia and Queen Drusilla of Mauretania.

MEDICAL EXAMINATION - Jack Mason talks John and Cleopatra into agreeing to a check up at Port Royal, Jamaica, working for NSA and CIA

GEORGE WARNS OF TORTURE - Franks radios Swann to tell John & Dan that New World Knights are being tortured at Guantánamo Bay, you're next.

JESUS CHRIST - Cleopatra asks about this man. John, Dan & Hal explain he is an ancient religious preacher from Galilee, son of Yahweh, Hebrew god.

BIOCORE BRAIN IMPLANT - Dan and Cleopatra drill John's skull, occipital bone implanting biological chip to interface with CyberCore Genetica.

DARPA, NSA & CIA - National security and military intelligence chiefs Iras Charmian and Dr Stefan Raengst, plot to remove all human obstacles.

MILITARY INTERVENTION - The military detain Cleopatra to appease stakeholders, despite media & medical protests. Storm distraught.

BATTLE ARMOUR - Thanks to some unexplained divine intervention, Dan Hawk talks John Storm into wearing a bullet proof suit.

GUANTÁNAMO BAY - History repeats itself, US military kidnap Cleopatra, John forced to rescue puts Elizabeth Swann at risk.

MISSION IMPOSSIBLE - Commander John Storm, in Navy SEAL mode, attacks the Cuban torture camp at Guantánamo Bay, in stealth mode, black op.

MISSILE LOCK - USA military try to hack into Hal, anticipating a strike, as the DOD launch Tomahawks, John hacks into NORAD, and redirects them.

PRESIDENT LINCOLN TRUMAN - Hails the Swann to find out why John is shooting missiles at Guantánamo Bay, Storm sets the record straight. FINALE

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