BIG BREAK & COVERFLY Vs FILMFREEWAY

 

 PLEASE USE OUR A TO Z SITE INDEX TO NAVIGATE THIS SITE OR CALL HOME

 

 

 

John Storm, ocean adventurer, sees off a hungry great white shark

 

 

Graphic novel storyboard art. John Storm faces off four great white sharks, bravely challenging them to take a bite out of him, armed with only a speargun and a megaphone. A scene from the ocean and climate awareness adventure: Kulo-Luna.

 

 

 

 

 

 



A COMPARATIVE ANALYSIS OF SCREENWRITING PLATFORMS: FILMFREEWAY Vs FINAL DRAFT'S BIG BREAK, AND COVERFLY

1. Introduction: Setting the Stage for Screenwriters in Hollywood

Breaking into the competitive world of Hollywood screenwriting presents a significant challenge for aspiring writers. The traditional avenues for discovery are often opaque and difficult to navigate for those without established industry connections. This fragmented landscape has led to the emergence of various platforms designed to connect screenwriters with industry professionals and provide pathways for project discovery. Among these platforms, FilmFreeway, Final Draft's Big Break competition, and Coverfly stand out as key resources that aim to bridge the gap between aspiring talent and Hollywood's need for fresh, compelling stories. This report offers a comparative analysis of these three options, examining their reputation, services, costs, industry connections, and the mechanisms through which Hollywood professionals utilize them to discover new screenwriting talent and identify suitable film projects. By understanding the unique value proposition of each platform, screenwriters can make informed decisions about where to focus their efforts and resources to achieve their career goals.

2. Final Draft's Big Break: A Deep Dive into a Reputable Competition

Final Draft's Big Break screenwriting competition has established itself as a prominent and respected event in the screenwriting community over its more than two decades of existence. This longevity, coupled with its direct association with Final Draft, the industry-standard screenwriting software, lends a significant degree of credibility to the competition. The competition is widely regarded as a legitimate avenue for aspiring screenwriters to gain recognition, with numerous past winners and finalists having successfully signed with agents and managers and even having their scripts optioned or produced. This established reputation makes Big Break a trusted option for writers seeking serious consideration and potential career advancement.   

The prizes and opportunities offered by Big Break are designed to provide tangible support for a screenwriter's career. Grand Prize winners receive a substantial package that includes $10,000 in cash, an Apple iPad, a Dell XPS laptop, and a valuable trip to Hollywood featuring meetings with industry executives. This combination of financial support and direct industry access aims to propel the winners into the professional realm. Furthermore, category winners in both feature film and television receive $1,000 cash, a license for Final Draft software, a fellowship at the New York Film Academy, and career coaching sessions, among other valuable resources. Even short script winners and finalists are recognized with cash prizes, software, and consultations. The structure of these prizes indicates a clear focus on equipping screenwriters with the tools, knowledge, and connections necessary for long-term success.   

The judging process for Final Draft's Big Break involves multiple stages and the expertise of industry professionals. The competition progresses through rounds of evaluation, including quarterfinalists, semifinalists, the top 10 finalists in each category, category winners, and ultimately, the grand prize winners. The judges themselves are literary managers, producers, and development executives from well-respected companies within the entertainment industry. These professionals evaluate scripts based on a comprehensive set of criteria, including the strength and originality of the characters, the quality and impact of the dialogue, the distinctiveness of the writer's voice, the freshness and viability of the concept, and the effectiveness of the plot, structure, setting, and theme. The involvement of these industry insiders ensures that the scripts are being assessed by individuals with a keen understanding of the current market and a discerning eye for emerging talent.   

The track record of Final Draft's Big Break in fostering screenwriting careers is well-documented through numerous success stories. Many winners and finalists have gone on to secure representation with agents and managers, a crucial step for any aspiring screenwriter. Additionally, a significant number have successfully sold or optioned their scripts, demonstrating the commercial viability recognized by the competition. Some have even found full-time work in television writers' rooms, indicating the competition's ability to launch professional writing careers. Notable examples include Laura Kroeger, who signed with Fourth Wall Management, Neil Pollner, who gained representation with a Big Break judge, and Jason Kaleko, who signed with Rain Management Group. Furthermore, past winners have contributed to major productions and collaborated with prominent figures in the industry, solidifying Big Break's reputation as a significant platform for career advancement. 


 

 

 

Aspiring and professional screenwriters should take the time to explore the diverse range of competitions listed on Coverfly, carefully evaluating the format, genre, deadlines, and prizes to identify those that best align with their individual projects and career goals. Utilizing Coverfly's free resources, particularly Pitch Week, can provide invaluable direct access to industry professionals that might otherwise be difficult to secure. Investing in Final Draft, if feasible, or becoming proficient in a robust alternative will ensure that their scripts meet the essential formatting standards expected in the industry. By strategically leveraging the unique strengths of both Coverfly and Final Draft, screenwriters can significantly increase their potential for both creative fulfillment and professional success in the highly competitive and rewarding world of visual storytelling.

 

 

 


  

3. Coverfly: Platform and Industry Connections for Emerging Writers

Coverfly has emerged as a leading online platform dedicated to empowering screenwriters and connecting them with the Hollywood industry. The platform offers a suite of free services designed to help emerging screenwriters manage their careers, track their successes, and gain exposure. Writers can host their scripts on the platform and build a professional profile showcasing their work and achievements. A key feature of Coverfly is its aggregation of competition results and script coverage scores into a composite metric known as the Coverfly Score. This score provides a quantifiable measure of a project's performance across various industry-recognized platforms. Additionally, Coverfly offers a Coverage Marketplace, linking writers with a range of script feedback services from reputable providers. For writers seeking early-stage feedback, CoverflyX provides a free peer-to-peer script exchange system. This comprehensive set of free services makes Coverfly an accessible and valuable resource for screenwriters at all levels, particularly those focused on building a professional portfolio and understanding their standing within the industry.   

Coverfly serves as a central hub for screenwriters to discover and submit to a curated list of reputable screenwriting competitions, fellowships, and labs. Unlike platforms that list a vast number of events, Coverfly focuses on vetting and partnering with programs that consistently demonstrate value to writers. A distinctive feature of Coverfly is its Red List, a dynamic leaderboard that showcases the top 20 highest-scoring discoverable projects on the platform. This list can be filtered by genre, format, and timeframe, providing targeted visibility for high-performing scripts. A project's appearance on the Red List is determined by its Coverfly Rank, with higher ranks increasing the likelihood of being featured. This unique feature offers screenwriters a chance to gain exposure to industry professionals based on the merit of their competition success.   

Coverfly actively fosters connections between screenwriters and key industry players, including agents, managers, and production companies. Industry professionals have access to a vetted database of writers and their projects through Coverfly's Industry Dashboard. This dashboard allows them to search for talent based on various criteria, including genre, format, writer background, and competition performance. Furthermore, Coverfly's dedicated Writer Development team proactively promotes promising projects and writers to their network of industry contacts. The platform also features "Industry Mandates," where studios, networks, and production companies specify the types of writers and projects they are currently seeking, creating targeted submission opportunities for writers with relevant material. Additionally, Coverfly offers programs like Pitch Week and Virtual Reads, providing screenwriters with direct opportunities to engage with literary managers, agents, and producers. These multifaceted efforts demonstrate Coverfly's commitment to not only providing a platform but also actively facilitating meaningful connections between emerging writers and the industry.   

4. FilmFreeway: A Comprehensive Submission Hub for Films and Screenplays

FilmFreeway has become the dominant online platform for filmmakers and screenwriters to discover and submit their work to a vast array of film festivals and screenplay contests worldwide. The platform boasts a user-friendly interface that allows screenwriters to easily browse thousands of opportunities across the globe. Once a user creates a project profile, they can submit to multiple events with just a few clicks, streamlining a process that was previously much more cumbersome. FilmFreeway also provides tools for screenwriters to track the status of their submissions and manage their various projects in one centralized location. This ease of use and accessibility have made FilmFreeway the go-to platform for many aspiring screenwriters looking to gain exposure for their work.   

While FilmFreeway itself is free for submitters, the platform acts as a conduit to individual film festivals and screenplay competitions, each of which sets its own submission fees. These fees can vary significantly depending on factors such as the prestige of the event, the submission deadline (with early bird discounts often available), and the format of the submission [various snippets show different fee structures]. FilmFreeway does offer a "Gold" membership program, which provides submitters with potential discounts on entry fees and other exclusive benefits. For screenwriters who plan to submit their work to a large number of events, this membership can potentially lead to substantial cost savings. However, the overall cost of submitting through FilmFreeway can accumulate, necessitating a strategic approach to selecting which festivals and competitions to enter.   

FilmFreeway offers an extensive reach, listing over 12,000 film festivals and screenplay contests from around the world, including a significant number of Academy Award and BAFTA-qualifying events. The platform hosts a diverse array of screenplay competitions catering to various genres, formats (feature, short, TV pilot), and niche interests. This includes competitions associated with major film festivals like Cannes. While this vastness offers numerous opportunities, it also necessitates careful vetting by screenwriters to ensure they are submitting to reputable and effective events that align with their specific goals.   

Many of the reputable festivals and competitions listed on FilmFreeway do have connections to industry professionals who may use these platforms to discover new screenwriting talent [various snippets mentioning industry judges and prizes like meetings]. Some competitions explicitly state that winning scripts will be read by agents, managers, and producers. FilmFreeway also provides tools that allow filmmakers to create digital press kits for their projects, which can potentially enhance their professional image and provide industry viewers with essential information about their work. While FilmFreeway primarily functions as a submission platform, it does act as a conduit connecting screenwriters with various industry opportunities, although the level and quality of direct industry engagement can vary considerably across the different events listed on the site.   

5. Comparative Analysis: Navigating the Choices for Screenwriters

When comparing FilmFreeway, Final Draft's Big Break, and Coverfly, it becomes clear that each platform offers distinct advantages and caters to slightly different needs and priorities for screenwriters.

 

FilmFreeway stands out for its remarkable ease of use and its role as a centralized hub for submitting to a vast array of film festivals and screenplay contests.

 

Coverfly, on the other hand, distinguishes itself by focusing on integrated career tracking for screenwriters, providing tools to manage submissions, aggregate results, and build a professional profile.

 

Final Draft's Big Break competition offers a more direct submission process, primarily through its own website and also via Coverfly, but its scope is limited to its annual competition.   

In terms of cost, Final Draft's Big Break employs a tiered fee structure, often incentivizing early submissions with discounts. Given the significant prizes and the explicit industry connections it offers, the potential return on investment for Big Break can be quite high for winners and finalists. Coverfly operates on a freemium model, with basic services like hosting scripts and building a profile being free. However, submission fees apply when entering competitions listed on the platform. The return on investment for Coverfly depends on a screenwriter's success in these external competitions. FilmFreeway hosts a wide range of events with varying submission fees [various snippets]. The potential return on investment here is highly dependent on the reputation and the level of industry access provided by each specific festival or competition chosen.   

When it comes to reaching industry professionals and gaining visibility, Big Break explicitly involves industry literary managers, producers, and development executives as judges, and it facilitates meetings for its top winners. Coverfly offers more direct visibility through its Red List, which showcases top-performing discoverable projects, and its Industry Dashboard, which is accessible to vetted industry professionals. FilmFreeway's reach is exceptionally broad, but the extent of industry professional engagement can vary significantly from one event to another [various snippets]. Therefore, screenwriters using FilmFreeway need to research each opportunity carefully to ascertain the level of industry involvement.   

All three platforms offer the potential for career advancement and networking, albeit through different mechanisms. Big Break's substantial prizes, including industry meetings, and its track record of success stories suggest a strong potential for career advancement. Coverfly provides various career development resources, including Pitch Week, and offers pathways to potential representation through its industry connections. FilmFreeway's potential in this area is contingent on the specific festivals and competitions a screenwriter enters, with some offering networking events and exposure to industry professionals [various snippets]. While all three can contribute to a screenwriter's journey, Big Break's focused rewards and Coverfly's dedicated career-building tools offer more structured pathways compared to the sheer diversity of options available on FilmFreeway.   


 

 

 

Navigating the landscape of screenwriting competitions requires careful attention to several key details, and Coverfly provides a wealth of information to help writers make informed decisions. Deadlines for competitions listed on Coverfly are typically structured in a tiered system, designed to incentivize early submissions. Many competitions offer an Early Bird deadline with a lower entry fee, followed by a Regular deadline, a Final deadline, and in some cases, an Extended deadline for those who need a little more time. For example, the New York International Screenplay Awards (NYISA) has a Final Deadline on April 14th, 2025 , while Final Draft's Big Break offers various deadlines extending to June 30th, 2025. The Palm Springs International Screenplay Awards also features multiple deadlines in April and beyond.   

 

 

 


6. Hollywood's Utilization: Scouting for the Next Blockbuster

Hollywood professionals, including agents and managers, frequently leverage the results of reputable screenwriting competitions hosted on platforms like FilmFreeway, Final Draft's Big Break, and Coverfly as a means of discovering promising new talent. The validation that comes from placing highly in a recognized competition can serve as a strong indicator of a writer's potential and the quality of their work. Coverfly's Red List and the search functionalities within its Industry Dashboard provide agents and managers with targeted tools to identify writers and scripts that align with their specific needs and interests. Similarly, the established reputation of Final Draft's Big Break attracts industry attention to its winners and finalists, making it a valuable resource for talent scouting.   

Producers and development executives also employ these platforms in their search for compelling new projects. They often monitor the results of screenwriting competitions to identify promising scripts that could be suitable for development and production. Coverfly's Industry Mandates offer a unique feature that allows producers and executives to directly solicit specific types of projects they are actively seeking, streamlining their search process. FilmFreeway, with its vast listing of film festivals and screenplay competitions, provides another avenue for producers to discover fresh project ideas and emerging talent [various snippets].   

Coverfly stands out by offering a dedicated Industry Dashboard equipped with sophisticated search filters, project tracking tools, and curated recommendations, all specifically designed to aid industry professionals in their talent and project discovery efforts. While FilmFreeway primarily facilitates the submission process, it does provide essential contact information and project details for submitted works, allowing industry members to follow up on promising leads [platform functionality]. Final Draft's Big Break actively shares lists of its winners and finalists with a network of industry contacts, ensuring that successful screenwriters receive targeted exposure.   

The effectiveness of these platforms as discovery tools is underscored by numerous success stories of writers who have gained representation or secured production deals after participating in them [various snippets throughout the analysis]. Coverfly, for instance, showcases numerous writers who have signed with agents and managers after being discovered through the platform or its various programs. Final Draft's Big Break also boasts a strong track record of winners who have gone on to achieve significant career milestones, including representation and script production. Similarly, FilmFreeway lists a multitude of festivals and competitions that have served as launching pads for screenwriters, providing them with crucial recognition and opportunities [various snippets]. These documented successes highlight the tangible role these platforms play in connecting aspiring screenwriters with the Hollywood industry.   

7. Industry Perspectives and Reputations: What the Experts Say

Industry analysis indicates that FilmFreeway has established itself as the leading platform for film festival and screenplay competition submissions, having surpassed its main competitor, Withoutabox. However, this widespread use is accompanied by concerns within the industry regarding the variable quality and potential lack of value offered by some of the smaller, less established festivals and competitions listed on the platform. In contrast, Final Draft's Big Break competition is generally held in high regard within the industry, recognized for its reputable judging panel, meaningful prizes, and tangible connections to Hollywood professionals. Coverfly is increasingly viewed as a valuable platform for emerging writers seeking to gain visibility and connect with agents, managers, and production companies, particularly through its innovative Red List feature and Industry Mandates. Nevertheless, some industry observers note that Coverfly's ranking system and the overall impact of the Red List are still in the process of gaining widespread recognition and influence within established Hollywood circles.   

The perceived effectiveness and credibility of each option are closely tied to these industry perspectives. Big Break is often seen as an effective launchpad for screenwriting careers due to its rigorous judging process involving industry professionals and the significant prizes that include direct industry access. Coverfly is gaining traction as a credible tool for connecting writers with representation and various industry opportunities, thanks to its proactive approach to talent discovery and its growing database of industry users. FilmFreeway's effectiveness is largely dependent on the specific festivals and competitions that screenwriters choose to enter. While participation in reputable events listed on the platform can be highly valuable, other opportunities may offer limited benefits in terms of industry exposure or career advancement [various snippets]. Ultimately, the success a screenwriter finds on any of these platforms is closely linked to their individual goals, the quality of their work, and their strategic approach to utilizing the resources available.   

8. Advantages and Disadvantages for Screenwriters

The optimal choice of platform often depends on a screenwriter's experience level and the specific goals they are trying to achieve. Beginner screenwriters might find FilmFreeway particularly accessible for gaining initial experience by submitting to a wide range of smaller competitions. The platform's user-friendly interface and the sheer volume of opportunities can provide a valuable learning experience [platform ease of use]. More experienced writers who have polished, market-ready scripts might strategically target prestigious competitions like Final Draft's Big Break, which is known for its industry recognition and potential for career impact [competition prestige]. For screenwriters who are actively seeking representation, Coverfly's emphasis on industry connections and the visibility offered by its Red List could be particularly beneficial [platform focus on industry access].

The suitability of each platform also varies depending on the type and genre of a screenwriter's project. Final Draft's Big Break features specific award categories for both feature films and television pilots across a diverse range of genres. Coverfly hosts a wide array of competitions that span all genres and formats, making it a versatile option for various types of projects [platform listings]. FilmFreeway, with its expansive listing of events, includes both genre-specific and open-genre festivals and competitions, requiring screenwriters to filter their search based on their project's needs [platform listings].   

Aspiring screenwriters should also be aware of the potential pitfalls and considerations associated with each platform. The cumulative cost of submissions on FilmFreeway can become a significant factor, especially for those submitting to numerous events [various snippets]. Furthermore, the open nature of FilmFreeway means that the risk of encountering less reputable or even potentially fraudulent festivals and competitions is higher, necessitating careful vetting. While Coverfly's Red List offers a unique visibility opportunity, its overall impact and recognition within the broader Hollywood industry are still evolving. It is also crucial to remember that winning or even placing highly in screenwriting competitions, regardless of the platform, does not guarantee immediate industry success. The path to a screenwriting career often involves persistence, continuous improvement, and strategic networking. The increasing presence of artificial intelligence in screenwriting also presents a dynamic factor that the industry is continuing to navigate.   

9. JUDGING CRITERIA IN DETAIL: UNDERSTANDING WHAT WINS

Understanding the specific judging criteria employed by screenwriting competitions is essential for screenwriters looking to tailor their submissions effectively. Final Draft's Big Break places a strong emphasis on the overall quality of the script, with particular attention paid to storytelling ability, the authenticity and impact of dialogue, the originality and depth of the characters, and the strength and marketability of the core concept. Judges also evaluate the effectiveness of the plot, the structure of the narrative, the vividness of the setting, and the resonance of the underlying themes. A distinctive writer's voice and a compelling premise are considered crucial elements for a script to stand out. Furthermore, adherence to proper screenplay formatting and industry-standard length guidelines are fundamental requirements for successful submissions. The competition also features a Diversity category specifically for scripts written by underrepresented writers, where the focus is on the writer's background rather than the story's specific themes of inclusion.   

Coverfly utilizes a data-driven ranking system to assess screenplays, with the Coverfly Rank serving as a central metric. This rank is calculated based on a weighted average of a project's performance in various competitions and script coverage services. The algorithm takes into account the placement achieved in a competition, the thoroughness of the evaluation process, and the historical success rate of writers from that specific program. Achieving a confident Coverfly Rank typically requires multiple positive evaluations, indicating consistent recognition across different platforms. The Red List then showcases the top-ranked discoverable projects based on their Coverfly Rank. Coverfly also emphasizes the importance of screenwriters carefully vetting competitions to ensure they are credible and offer genuine value.   

Beyond these specific platform criteria, general advice for success in screenwriting competitions includes strategically submitting to competitions that align with the script's genre and style. Meticulous attention to proper formatting and adherence to all competition rules and guidelines are essential to avoid disqualification. It is highly recommended to obtain feedback on the script from trusted sources and revise it thoroughly before submitting. Screenwriters should strive to create a vivid and engaging reading experience that evokes an emotional response in the reader , and a strong, compelling opening is crucial for making a positive first impression. Thorough proofreading to eliminate any errors in spelling and grammar is also paramount. Finally, understanding the specific judging criteria of each competition, if available, can provide valuable insights for tailoring the submission , and it is always wise to research the legitimacy and potential benefits of any competition before entering.   

10. CONCLUSION: STRATEGIC NAVIGATION FOR ASPIRING SCREENWRITERS

In conclusion, FilmFreeway, Final Draft's Big Break, and Coverfly each offer unique pathways and resources for screenwriters aiming to break into Hollywood. FilmFreeway provides unparalleled breadth and ease of access to a vast landscape of film festivals and screenplay competitions, making it an essential tool for broad outreach. However, its open nature necessitates careful vetting of opportunities to ensure credibility and value. Final Draft's Big Break stands out as a reputable and prestigious competition with a strong track record of launching screenwriting careers through its industry-connected judging process and meaningful prizes. Coverfly positions itself as a comprehensive career management platform, offering tools for tracking progress, gaining visibility through its Red List, and actively connecting writers with industry professionals through features like Industry Mandates and Pitch Week.

Hollywood professionals utilize these platforms in various ways to discover new film projects and screenwriting talent. Agents and managers monitor competition results and leverage Coverfly's targeted search functionalities to identify promising writers. Producers and development executives also track competition outcomes and use Coverfly's Industry Mandates to solicit specific types of projects. Each platform offers distinct features that aid industry professionals in efficiently filtering through the large volume of submissions and identifying potential collaborators and projects.

For aspiring screenwriters, a strategic approach involves aligning their platform usage with their individual goals, experience level, and project types. Beginners might leverage FilmFreeway for initial exposure and experience, while more seasoned writers might target the prestige of Big Break or the industry connections of Coverfly. Ultimately, no single platform guarantees success. A multi-pronged approach, coupled with continuous improvement of craft, realistic expectations, and proactive networking, remains the most effective strategy for navigating the complex journey of breaking into Hollywood screenwriting.

 

 

SOURCES

writers.coverfly.com - Big Break (2025) - Coverfly

blog.finaldraft.com - 5 Ways To Win a Screenwriting Contest - Final Draft Blog

blog.finaldraft.com - Benjamin Kramer: How Big Break Fueled His Success - Final Draft Blog

blog.finaldraft.com - Big Break Contest Judge Jeff Portnoy On Why You Should Enter - Final Draft Blog

blog.finaldraft.com - Final Draft Big Break Screenwriting Contest 2025 opens March 10

filmfreeway.com - The Big Break Screenwriting Contest - FilmFreeway

finaldraft.com - Big Break 2025 - Final Draft®

writers.coverfly.com - Big Break (2023) - Coverfly

nofilmschool.com - Which Screenwriting Competitions Are Worth Entering? - No Film School

studiobinder.com - 13 Best Screenwriting Contests You Need to Enter Now - StudioBinder

blog.finaldraft.com - Write On: Big Break 2024 Grand Prize Winners Laura Kroeger and Maia Mulcahy

reddit.com - Tips And Best Practices From A Final Draft Big Break Contest Reader - Reddit

finaldraft.com - Big Break Terms and Conditions - Final Draft®

reddit.com - Anybody Gotten a Big Break from Final Draft Big Break? : r/Screenwriting - Reddit

finaldraft.com - Big Break Finalists – Previous Years - Final Draft

blog.finaldraft.com - How Josh Flanagan's Big Break Win Helped Jumpstart His Career - Final Draft Blog

forums.nycmidnight.com - Final Draft Big Break - Short Screenplays - NYC Midnight Forum

thescriptlab.com - Inspiring Screenwriting Competition Success Stories - The Script Lab

coverfly.com - screenwriting Archives - Coverfly

coverfly.com - How Coverfly Helps Screenwriters Get Discovered

coverfly.com - screenwriting contest Archives - Coverfly

coverfly.com - Screenplays Discovered - Coverfly

 

coverfly.com - Coverfly - Your screenwriting career

coverfly.com - Contests Archives - Coverfly

writers.coverfly.com - Notes & Coverage - Coverfly

coverfly.com - Apply to Have Your Competition on Coverfly

support.coverfly.com - What is The Red List? - Coverfly

support.coverfly.com - How do I get on The Red List? - Coverfly

coverfly.com - An Overview of the Coverfly Ranking System

writers.coverfly.com - Coverfly: Writing Competitions

writers.coverfly.com - The Red List - Top Rated Screenplays This month - Coverfly

reddit.com - Coverfly - Is It Worth It? : r/Screenwriting - Reddit

reddit.com - Coverfly and the infamous 'Red List' : r/Screenwriting - Reddit

coverfly.com - writing Archives - Coverfly

reddit.com - Does Coverfly's Red List matter? : r/Screenwriting - Reddit

coverfly.com - About Coverfly Industry Mandates

industry.coverfly.com - Coverfly Industry Dashboard - Discover Writers & Projects - Coverfly

reddit.com - The Truth About Film Freeway : r/Filmmakers - Reddit

 

filmfreeway.com - FilmFreeway: Film Festivals, Screenplay Contests, Submissions

miracalize.com - Coverfly and FilmFreeway Review: Should you Apply with a Script? - Miracalize Media

filmfreeway.com - Screenplay Festival - FilmFreeway

killershortscontest.com - Coverfly vs FilmFreeway: What's The Difference? - Killer Shorts

coverfly.com - Celebrating Writer Success - Coverfly

coverfly.com - success story Archives - Coverfly

blog.finaldraft.com - Big Break Winner Joseph Greenberg's advice for screenwriters - Final Draft Blog

coverfly.com - success Archives - Coverfly

filmfreeway.com - AI Screenwriting Could Be the Future—It Shouldn't Be - FilmFreeway

blog.celtx.com - How to Submit Your Script to Film Freeway - Celtx Blog

coverfly.com - A Brief Introduction to Coverfly for Writers

filmfreeway.com - SCRIPTWRITERS & CO INTERNATIONAL FESTIVAL - FilmFreeway

filmfreeway.com - Love - FilmFreeway

coverfly.com - About Us - Coverfly

thesuccessfulscreenwriter.com - Ep18 - How to Take Advantage of CoverFly and get on the Red List with Tom Dever

filmfreeway.com - Script Pipeline Screenwriting and TV Writing Competition - FilmFreeway

stage32.com - Screenwriting : Are the Screenwriting Contests on FilmFreeway Legit? Or Are They "Mickey Mouse" Awards? by Timothy Liebe - Stage 32

reddit.com - Has anyone found a list of Screenplays that won at festivals and were actually made? : r/Screenwriting - Reddit

reddit.com - FilmFreeway is killing short film : r/Filmmakers - Reddit

filmfreeway.com - The Screenwriter's Script & Screenplay Showcase - FilmFreeway

reddit.com - On FilmFreeway, these competitions guarantee that I'll be selected. Should I submit? : r/Screenwriting - Reddit

blog.finaldraft.com - 5 Ways To Get Your Script Contest Ready - Final Draft Blog

filmfreeway.com - How It Works - FilmFreeway

kb.finaldraft.com - What should be the page count of the script I am submitting to the Big Break competition?

coverfly.com - Coverfly Success Stories

coverfly.com - Coverfly Pitch Week: My Journey to Getting Signed

scriptmag.com - Final Draft, Inc. Big Break™ Success Earns Representation - Script Magazine

coverfly.com - 8 Coverfly Writers That Made It Onto The Black List

reddit.com - Do people use Coverfly? : r/Screenwriting - Reddit

leejessup.com - Winning Big: An Insider Look at A Big Contest Win - LeeJessup.com

coverfly.com - How the Industry Finds Writers on Coverfly

writers.coverfly.com - Industry Mandates - Coverfly

filmfreeway.com - Filmmakers International Screenwriting Awards - FilmFreeway

thewrap.com - Inside Coverfly's Plan to Reinvent How Hollywood Discovers Screenwriters - TheWrap

sloreview.org - Screenwriters Beware - SLO Review

blog.finaldraft.com - How Jason Kaleko Broke Into Screenwriting with Big Break - Final Draft Blog

filmfreeway.com - Scriptwriters Network's Hollywood Outreach Program (HOP) - FilmFreeway

moviebytes.com - Final Draft Big Break Screenwriting Contest - MovieBytes.com

reddit.com - Any experiences with possible FilmFreeway scams? : r/Filmmakers - Reddit

kb.finaldraft.com - In Big Break, what is the diversity category? Is it for scripts about diversity issues?

reddit.com - Final Draft Big Break - apply to Diversity, Half Hour Pilot, or both categories? - Reddit

coverfly.com - How to Win a Screenwriting Competition - Coverfly

reddit.com - Coverfly point system : r/Screenwriting - Reddit

coverfly.com - Coverfly's Screenwriting Competition Partner Criteria

networkisa.org - Celebrating ISA Success Stories - International Screenwriters' Association

scriptpipeline.com - Success Stories - Script Pipeline

shorescripts.com - Inspiring Success Stories of Our Screenwriters - Shore Scripts

pageawards.com - PAGE Awards Screenplay Contest Success Stories

glcoverage.com - What Are the Benefits of Screenwriting Competitions for Writers? - Greenlight Coverage

raindance.org - Why Should You Enter a Screenwriting Competition? - Raindance Film Festival

octaneseating.com - The Guide To Screenwriting Contests - Octane Seating

letterreview.com - Are Screenwriting Contests a Waste of Time? - The Letter Review

reddit.com - Are screenwriting contests "worth it"? - Reddit

filmfreeway.com - Wscripted's Cannes Screenplay List - FilmFreeway

reddit.com - Reminder: If you're ONLY entering screenwriting contests, that's a terrible strategy - Reddit

filmfreeway.com - Help Center - FilmFreeway

 

 

 

 

     

    

 

 

 

..

 

 

 

 

This website is Copyright © 2025 Planet Earth Trust.

The views, reviews and opinions of the Trust are protected by Articles 18 and 19 of the Universal Declaration of Human Rights.

 

 

 

 

WHICH IS THE BEST PLATFOM FOR WRITERS TO SUBMITY THEIR WORKS: FILMFREEWAY Vs FINAL DRAFT, COVERFLY AND BIG BREAK SCRIPT WRITING COMPETITIONS FOR FEATURE FILMS, TV PILOTS AND MORE - THE VERY BEST SCRIPTS IN FILMED ENTERTAINMENT ON PLANET EARTH